rigoletto met opera 2022 cast

The company noted that Erin Morley will sing the role of Gilda on May 28 through June 11 replacing the originally announced Kristina Mkhitaryan, who has withdrawn from the production. [June 4, 2022, Encore on June 8, 2022] Check out the entire Met Opera season! A two-time Tony Awardwinner, his designs for Seascape, The Light in the Piazza, South Pacific, Awake and Sing, and Ah, Wilderness have all been seen on Broadway. Schedule November 10, 2022 19:30:00 Last season, he sang the Grand Inquisitor in the Met premiere of the five-act French version of Verdi's Don Carlos and the Ghost of King Hamlet / First Player / Gravedigger in the company premiere of Brett Dean's Hamlet. He earned a Tony Award for directing South Pacific in 2008 and received Tony nominations for his Broadway productions of Golden Boy, Joe Turners Come and Gone, Awake and Sing!, and The Light in the Piazza. S, la mia figlia! The famous Act III quartet, Bella figlia dellamore, is an ingenious musical analysis of the diverging reactions of the four principals in the same moment: The Dukes music rises with urgency and impatience, Gildas droops with disappointment, Rigolettos remains measured and paternal, while the promiscuous Maddalena is literally all over the place. Her vocal approach to the role was perfectly aligned to her characterization. His role in Italys cultural and political development has made him an icon in his native country. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. While the soprano was at her best during the delicate opening lines of the piece, her piano singing almost parlato in its effect and generating a powerful intimacy between audience and performer. April 5, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park, FL 32789 . Elegant is probably an apt word for his performance on the whole, especially for this opera where the Duke is called on to sing one glorious, soaring bel canto melody after another. NYT Critic's Pick. As he crescendoed into Mora! you could feel the pain and anger wrapped into one. Rigoletto returns in the spring for five performances May 28-June 11, 2022. Wagner's soaring masterpiece makes its triumphant return to the Met stage after 17 years. Recently, he performed Sarastro in Die Zauberflte in Cologne, Philip II in excerpts of Don Carlo at Deutsche Oper Berlin, and Osmin in Die Entfhrung aus dem Serail at the Hamburg State Opera. He is a professor at the Yale School of Drama. From there his voice grew even more tender, each ensuing phrase a caress as he reached out toward his hurting daughter. Carlos lvarez performs in the title role, alongside Lisette Oropesa and Liparit . The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. A new cast brings the Met's Rigolettoto life Kevin W Ng, 11th November Three major Metropolitan Opera debuts bring excitement and vocal glamour to this revival of Bartlett Sher's Rigolettoproduction. Il Trittico is comprised of three one act operas; Il Tabarro (The Cloak), Suor Angelica (Sister Angelica), and Gianni Schicchi. Description New production. Ei sta sotto ai miei piedi! Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. He has appeared at many of the worlds leading opera houses and festivals, including Deutsche Oper Berlin, the Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, and the Salzburg Festival. And considering that this is an opera that has been done time and again, it was refreshing to hear her test the limits of what this music could do. #PBSForTheArts is a multiplatform campaign that celebrates the arts in America. Of course, Scappucci has license to interpret those tempo indications as she sees fit. Despite some strange costuming, she did her utmost to provide intricate characterization and development. Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. The arias tempo marking is Andante mosso agitato while the preceding tempo indication is a faster one Allegro vivo. SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. The ensuing stanza was sung with a similar gentleness, but you could feel that she was taking a bit more time with it, thus amplifying the intensity so that the second climax to the high A, despite a similar dynamic phrasing, had a punchier, emotional impact and set up the increased agitation of what follows. He has been nominated for 13 Tony Awardswinning in 2008 for South Pacific and 1998 for The Lion Kingin a career featuring more than 50 productions on Broadway. Join the DSO Women's History Month Celebration: Join the launch of the DSO's virtual Women in Classical Music in Conversation series on Wednesday, March 1, at 12:00 pm, which will provide a community forum and build upon the relationships formed at the symposium. They met in 1979 in Rabe's home town of Vancouver, married five years . 2022-23 Season 2023-24 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles From his opening Questa o quella, he exuded vocal confidence, every note coming through crystal clear, every phrase elegantly thrown off, emphasizing the carefree nature of the Duke. Pretty but Pointless. The broadcast is part of season 16 of GREAT PERFORMANCES AT THE MET includes 10 new operas. Runtime: 210 min. She has designed for opera houses around the world, including English National Opera, Washington National Opera, San Francisco Opera, and the Salzburg Festival. Met Opera | April 15, 2023. The Act three trio was a mess of sounds without any real grounding and during the final duet, Lass in ciel, the violin syncopations were so accented as to sound plodding and heavy that they didnt fit into the general soundscape of the moment, even disrupting it. It was the epitome of style over substance and after seeing it a few times, no singer however great could get me to subject myself to its charmlessness. His singing had rawness and pointedness, particularly as he poked fun at Ceprano and Monterone. desso! Polish tenor Piotr Beczaa reprises his portrayal of the Duke of Mantua, the role of his Met debut in 2006. Bartlett Sher previously staged Rigoletto in Berlin in June 2019 and October 2019. Caro nome was a bit of a mixed bag for Feola. 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . Elsewhere this season, he sings Sarastro at the Vienna State Opera. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. Varduhi Abrahamyan plays Maddalena and Andrea Mastroni plays Sparafucile. Beyond the costumes, it's hard to see what Sher has actually done with the purported Weimar inspiration he captures neither the hedonism nor the sense of imminent downfall of the period but it's an attractive, efficient production that will surely be revived for years to come. From the opening line of the recitativo to the end of the aria, Bernheim was all in on delivering a performance of utmost intensity. Opera splits things up a little differently, so a mezzo is basically in the soprano 2/alto 1 range, while a contralto is an choral alto 2. But for all this chaos, it is worth noting that in moments where the singers sounded uncomfortable with her tempi, Scappucci was quick to adjust to them, allowing them to bring their best to the performance. In the Mets production, the action unfolds in Weimar Germany in the 1920s, a time and place with surprising parallels to the decadentand dangerousworld of the original setting. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. The ensuing cabaletta Possente amor mi chiama presented the tenor with an opportunity to expand on the brightness and lush sound of his opening Questa o quella, and he fully delivered on that, projecting powerfully into the auditorium. The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. Discovered and promoted by Valery Gergiev, she began her career at the Mariinsky Theatre, collaborating . Is it possible to have a minor success on every level? Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. In the Duke's court he is appropriately terrifying, spitting words out with a cynical sneer. In the role of the Duca di Mantua was tenor Benjamin Bernheim, who was supposed to debut at the Met a few years back, but had to wait thanks to COVID-19. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. Then theres some bizarre choices like the sudden abstraction during the Act three trio where the lights go red inside the inn and Gilda has a seeming out of body experience? Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. Conductor Daniele Rustioni takes the podium to lead a cast starring Quinn Kelsey in his Met role debut as Rigoletto, Rosa Feola as Gilda, and Piotr Beczaa as the Duke of Mantua. For the Met: Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik are producers. His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. Roger Hodgman, 53, is director of the Melbourne Theatre Company. Marullo, signore, tu chhai lalma gentil come il core retained some of the edge and accents, with the final ohime of the section sounding bitter, almost as if Rigoletto were disgusted at having to plead with these vil razza for help. 20 des. When the Page arrives, he recovered his strength, his voice growing metallic and accented, almost speaking some of the notes. And suddenly our attention shifts away from Rigolettos truly private and essential CHARACTER moment, to something else. Studio: The Metropolitan Opera. On the repeat of the melody, she spun a similarly delicate legato line, her high B flats fluid and sparkling. Rigoletto opens on November 10, with Rosa Feola and Lisette Oropesa sharing the role of Gilda, Aigul Akhmetshina as Maddalena, Benjamin Bernheim and Stephen Costello as the Duke of Mantua, and Quinn Kelsey, Michael Chioldi, and Luca Salsi as Rigoletto. Cast: Quinn Kelsey - Rigoletto Rosa Feola - Gilda Piotr Beczala - Duke of Mantua Craig Colclough - Monterone Varduhi Abrahamyan - Maddalena Andrea Mastroni - Sparafucile Scott Sully - Borsa. Kevin Puts'. He remarks how both men are similarly toxic, a comparison that the opera continually draws between all the male characters as the story develops. The mezzo-soprano Aigul Akhmetshina is making her debut in the role of Maddalena. During Pari siamo, Kelsey revealed the wide-ranging gamut of colors at his disposal. These PDFs do not include cast changes that occurred after the program went to print. Audio from the December 31, 2021, as well as the January 4, 19, and June 8, 2022, performances will be streamed live on the Mets website, metopera.org. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . He made his Met debut in 2007 as Arturo in Lucia di Lammermoor, with other roles for the company including Camille de Rosillon in The Merry Widow, Lord Percy in Anna Bolena, Romo in Romo et Juliette, and Alfredo Germont in La Traviata. : ','}}, Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). And its definitely worth checking out. Feola was in equally fine voice, her warm lyric soprano on the cusp on womanhood. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. camera operator Music Department Additional Crew Bartlett Sher . Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. Rigoletto is in three acts to an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. Continues through Jan. 29 with this cast and conductor at the Metropolitan Opera, Manhattan; metopera.org. Canadian bass-baritone John Relyea, who just ended a highly . But the rest of the duet was gloriously sung, with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone. That already tells the audience to shift its focus to whats about to happen. Despite serious initial problems, the opera had a triumphant . Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. In the role of Sparafucile, Relyea continued his revival with the company. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). Kelsey is impressive in the title role, his hulking, muscular baritone dominating the stage. Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) It will help us make your newsletter content more useful. The Metropolitan Opera has announced a cast change for its spring run of "Rigoletto.". 2022 | 13:00 Rigoletto, Verdi, But at the very least its coherent narratively. Maestro Daniele Rustioni leads Verdis timeless tragedy reset in 1920s Europe by Tony-winning director Bartlett Sher. And then, with the arrival of the woodwinds, he returned with a tender piano line, almost whispering parlato, his repetition of Quel vecchio maledivami! his softest yet. Start Free 7-Day Trial Rent for $4.99 After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. When you have a tenor like this cast had, the choice is made that much more difficult. His body opened up at its most forte, as if ready to take on the world, only to shrink back into itself on his piano lines. As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. But she eventually found her way back with the cadenza, and the arias coda where her elegant legato line returned us to the initial bliss. Gothic horror, magic and romance at the 2023 Savonlinna Opera Festival, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, From our French editor: ode to the diehards, Guilty pleasures: Yoncheva and Beczaa star in a new. Lisette has given 68 performances as Gilda. 31 Dec 2021 - 11 Jun 2022. As he rejected her desires for more knowledge, she responded with frustrated arm gestures that delineated the youth and angst of the character. by Stephi Wild Oct. 25, 2022. Mozart's Idomeneo. For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. Met Opera: Rigoletto review [November 2022] Proving that money and insight do not necessarily mix, this first revival season of Met Opera's new Rigoletto looks suitably grand, and sounds wonderful, but generally leaves the audience cold. Jen is a web producer at KPBS, responsible for program promotion, online membership-related activities, and is the editor of the KPBS community calendar. That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. Karel Mark Chichon conducts. But the finest singing of the evening came from Benjamin Bernheim, making his long-overdue Met debut. O gioia! You could feel the excitement of this crescendo, exploding with vibrant sound on O gioia and then once again a few bars later on Allonda!. World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. Compounding Bernheims performance during this scene was how much fun he seemed to be having, not only flirting with Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. For more information, visit metopera.org. The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. A dream cast assembles for Strauss's grand Viennese comedy. He also holds a dual bachelors from Hofstra University in Film Production and Journalism. Kevin is a violinist and violist, and regularly performs as a soloist, chamber musician, and as an orchestral player. American rags, riches and everything in between. Opera in the Park; Don Giovanni (Mozart) . Speranza Scappucci conducts Bartlett Sher's production. Baritone Quinn Kelsey portrays the title role at the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczaa as the Duke of Mantua. Skylark Opera Theatre returns to stage this Spring with the regional premiere of Jake Heggie's Three Decembers. Francesco Maria Piave (1810-76), Verdi's librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbethand Simon Boccanegra. Its virtually been in and out of the stage throughout the years, but I stopped attending it over the past few years (I hadnt seen the opera at the Met since before the launch of OperaWire in late 2016). The Met Operas faithfulness to Michael Mayers increasingly unnerving Las Vegas production which, once youve experienced the saturation from the spectacle itself, comes off as rather empty in its storytelling. The moment the Duke started his Bella figlia dellamore, Feolas expression shifted she had heard those same words and suddenly she was curious to see what was happening. He has conducted all of the major Italian symphony orchestras, as well as many throughout Europe, and has also led productions at La Scala, Staatsoper Berlin, Dutch National Opera, the Paris Opera, Pesaros Rossini Opera Festival, and in Aix-en-Provence, Valencia, Venice, Madrid, Stuttgart, Zurich, Tokyo, Rome, and Naples, among others. She is directing the pace and motion of the drama to what she feels is most appropriate. Right before the duet with the Duke, Feola delivered a glorious piano to forte crescendo on Tamo before being cut off as the duet proper got underway. And like Laitman, it has always remained one of my favorites, exploring the damaging impact of a toxic patriarchal world where no man is without shame or blame (it was particularly striking this time around to realize that despite being a teenager, Gilda knows nothing of her familys past; her fathers attempt to lock his daughter away from the world seems to include keeping her own story and identity from her as well). He has previously conducted at opera companies around the world, including the Bavarian State Opera, Paris Opera, Deutsche Oper Berlin, Vienna State Opera, Teatro Real in Madrid, and Gran Teatre del Liceu in Barcelona. This opera, like many of the composers greatest, moves. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Rigoletto | Opera | Performances, schedule and tickets | The Metropolitan Opera | View more information on Operabase . The opening lines of the duet were sung with utmost delicacy, the soprano slowly building up to the high A on daglocchi il cor, the high note suddenly full of rage and anger, before the line diminuendoed to a tearful resolution. ****1 A fine showing for the 1884 Italian version of Don Carloat the Met Robert Levine, 9th November The winner of the 2015 Beverly Sills Artist Award, his other company credits include Amonasro in Aida, Count di Luna in Il Trovatore, Enrico in Lucia di Lammermoor, Peter in Hansel and Gretel, Monterone in Rigoletto, Marcello in La Bohme, and Giorgio Germont in La Traviata. During the quartet, Bella figlia dellamore, Bernheim delivered another display of glorious legato singing. NEWSLETTERS: Sign up to keep up with all the latest news, arts and culture, and TV highlights from KPBS. And then there was Quinn Kelsey. But he's at his best in his scenes at home with Gilda, with a burnished legato and seemingly endless breath. For GREAT PERFORMANCES: Bill ODonnell is series producer; David Horn is executive producer. GREAT PERFORMANCES AT THE MET: Rigoletto Preview, "Cortigiani, vil razza dannata" from "Rigoletto", Piotr Beczaa Performs "La donna mobile". The 2016 season a tenor like this cast and actor biographies Kate, and highlights! A minor success on every level role opposite Kristina Mkhitaryan as rigoletto met opera 2022 cast and Stephen as... Some strange costuming, she spun a similarly delicate legato line, her warm lyric on. Of Moulin Rouge! production of Moulin Rouge! role of Sparafucile, Relyea continued his revival with the.! As an orchestral player even more tender, each ensuing phrase a caress as he rejected her desires more! 2016 season croatian bass Ante Jerkunica makes his Met debut as rigoletto met opera 2022 cast this season he! The Park ; Don Giovanni ( Mozart ) role of Maddalena arts Concert Opera presents only! 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